She Comes in Colours is a space-age dance party for time travelers — a future-retro collision of Britpop, Psych, French Ye-Yé, Freakbeat, Fuzz, Euro sleaze, and Cinematic Grooves. Inspired by London’s legendary Blow Up club and naughties nostalgia, this is a night for style, music obsession, and anyone craving a little analog magic re-mixed over big beat and ‘60s club sounds. Think Fat Boy Slim flirting with Jane Birkin after tripping into a black hole with purple flashes of light, while The Happy Mondays and a forgotten Italian soundtrack all conspire to make you miss a decade—if you never lived through, you’ll wish you did.

The Creators

DJ Fathom B : A native New Yorker who grew up sneaking into downtown clubs, an underage Fathom B with a fake ID. A globe trotting time traveler, her music tastes were later shaped by the underground scenes of Tokyo, Paris, Rome, and Buenos Aires, layering an international presence and worldly attitude.

In the 2000s, she formed the Japanese 60s pop band Gaijin À Go Go, inspired by Shibuya-ke legends Pizzicatto Five. Her band landed a deal with Sony Music Japan, launching an unexpected chapter of popstardom abroad.

As a founding member of the 2010s dance party, “Fuzzanova”, she selected South American psychedelic ’60s tracks—many once banned by dictators and rarely played in 21st Century New York—reviving something urgent and way ahead of the curve. Now, she works strictly remixing rare vinyl over dance beats—creating retro-futuristic sonic collages designed for a cosmic trip you can’t just Shazam for a replay.

DJ Yana Lil ‘Jerk : A Boston club kid with a first love for 60s Motown and 80s UK Indie, before she ever stepped behind the decks. An NYU art school degenerate and lifelong record collector, she’s spent over two decades chasing rare songs to make a crowd come alive.

Spinning exclusively vintage vinyl, Yana served up soul, reggae, garage, psych pop, shoegaze with a side of Britpop chips and a nod to all the 60s flavors. Her sets aren’t about nostalgia; they’re about pulling sounds from the margins, the lost, the forgotten, the underplayed, and bringing them to a future time and space. For her, music is a physical experience—joyful, communal, and impossible to fake.

Fathom B and Yana L’il Jerk merge to bring infectious energy and timeless grooves to the turntables. The point isn’t to stand around and posture; It’s to freak to the beat!

And if you don’t—They will.